What mic is used for bass drum?
What mic is used for bass drum?
Beyond that, the SM57 has long been the go-to microphone for snare drums. For toms, Sennheiser 421 dynamics are extremely prevalent. And the Electro-Voice RE20, the AKG D12 and D112, and the Shure Beta 52A, all of which are dynamic mics, are common models for miking bass drums.
What is the best bass drum microphone?
Top Kick Drum Mic for Live Sound & Recording
- Sennheiser e602 ii Dynamic.
- Electro-Voice PL33.
- MXL A-55 Kicker.
- Sennheiser e901 Condenser.
- Shure PGA52-LC.
- Sennheiser e902.
- AKG D112 mkii.
- Shure BETA 91A.
What does a Subkick do?
The SubKick uses the physical movement of its speaker cone as a type of transducer that picks up “sub-bass,” which are frequencies that reside below 100Hz. The SubKick is often paired with an additional kick drum mic or two, then these are mixed to create a fat and resonant bass drum tone.
What mic should I use for a kick drum?
A small diaphragm dynamic mic is usually the ideal choice for this, they will capture the mid range and attack from the beater without over-exaggerating the bleed from the floor tom, snare or cymbals. I’ve had some good luck with a Shure SM57, Sennheiser 441 and Telefunken M80.
What are ribbon mics good for?
Ribbon mics are great for drum overheads, capturing cymbals without the tizzy hype. An R88 deployed at a reasonable distance on drum overheads delivers a beautiful stereo image of the entire drum kit that can be combined with a kick drum mic for a highly effective, minimalist drum kit recording technique.
How many drum mics do you need?
Microphone setups for recording drums
| N | Stereo Mics | Spot / Close Mics |
|---|---|---|
| 6-12 | Stereo overhead microphones | One or more microphones for each of the drums in the kit |
| 8-20 | Stereo overhead microphones | One or more microphones on each of the drums in the kit Microphones positioned close to each group of cymbals |
Do you need a sub kick mic?
Do I really need to use a Subkick? No, engineers and producers have been recording excellent kick drum sounds for decades without it. But if you want or need lower frequencies than you’re capturing, this is an excellent way to do it.
Can you use a condenser mic on a bass drum?
The basis of a good kick sound is a large dynamic microphone like the ATM250. We recommend that you position the mic inside the bass drum. This will capture the snap of the beat around the batter head while isolating the rest of the kit. Your best bet is a large diaphragm condenser microphone like an AT4047/SV.
Which is the best microphone for bass drum?
Every audio engineer will like to work with you and he will be able to give you incredibly good sound. Bass drum microphones should be directional (cardioid), which helps to reduce bleeding from other sounds such as snare drum, cymbals, and toms.
How big is a compact bass drum kit?
The Midtown features a 16”x14” bass drum and 10”x7” rack tom, but the depth of the 13”x12” floor tom is reduced by an inch from some of the other kits in this line up. Likewise, Midtown kits come with a 13”x5.5” snare, so you lose an inch in diameter, but the added half an inch depth should recover some of the body of the snare sound.
What does a sub kick do to a bass drum?
Click to expand… In essence it is actually that, a very large diaphragm microphone having the ability to capture the very low frequencies of a large area of the bass drum’s head. I wouldn’t use one as the sole microphone of the bass drum, but it can add extra umph to an anemic sounding bass.
What does a Yamaha sub kick mic do?
What Yamaha originally did with their subkick was mount a speaker cone in a drum shell and reverse wire an XLR cable into it, turning it into a very sensitive auxiliary microphone for a kick drum. They are often used along with a more conventional kick mic, although I’ve heard some people use them by themselves with good results.